fashn-logo
FASHNAI

How to Photograph Clothes for AI

This guide shows you how to photograph your clothes so Agent gets them right. Almost any photo works, and four things make it better: views, fit, light, and details. Every example comes from one jacket shot three ways under four kinds of light.

Every example below was made in Agent at 2:3, 2K, Balanced (set in Generation settings). Each one used the same message: "Put this jacket on him. Create three separate images: a front, a side and a back view."

Views

Shoot the front and the back of your product. If you only give Agent the front, it has to guess what the back looks like. With only the front photo, the back came out wrong:

Product photo: the front of a blue, white, and black track jacket on a mannequin
Your photo (front only)
Back view from Agent: the back came out wrong
Back view from Agent

With a back photo added, the back came out right. A side photo is a bonus that shows details like the stripes down the sleeves.

Product photo: the front of the track jacket on a mannequin
Front
Product photo: the side of the track jacket on a mannequin, showing the sleeve stripes
Side
Product photo: the back of the track jacket on a mannequin
Back
Front view from Agent: the model wearing the track jacket
Front
Side view from Agent: the model in the jacket, with the stripes down the sleeve
Side
Back view from Agent: the model in the jacket, with the back matching the product photo
Back

Fit

How the product is photographed changes how well Agent understands its fit.

The jacket worn by a person, photographed from the front
1. On a person
The jacket on a mannequin, photographed from the front
2. Mannequin
The jacket laid flat on a wooden floor, photographed from above
3. Flat lay
  1. On a person is best, because it shows how the piece sits on a body.
  2. A mannequin is second best. It gives the shape of a body, but it is stiffer than a real person.
  3. A flat lay still works, but Agent has to guess the fit.

Light

The jacket was photographed under four kinds of light: warm bulbs, neutral bulbs, daylight, and the flash on a phone.

A ceiling light with warm yellow bulbs
Warm
The same ceiling light with neutral white bulbs
Neutral
Daylight from a window with blinds
Daylight
The flash on the back of a phone, turned on
Flash

Neutral light and the flash on your phone work best. Warm bulbs change the color of your product: here the white panels came back cream.

The jacket on a mannequin under warm light, with the white panels looking yellow
Warm light
Front view from Agent: the white panels of the jacket came back cream
Result
The jacket on a mannequin under neutral light, with the white panels white
Neutral light
Front view from Agent: the white panels of the jacket stay white
Result

The flash on your phone points straight at the piece and leaves no shadows:

The jacket on a mannequin in daylight from the side, with shadows on one side
Light from the side
The jacket on a mannequin lit by a phone flash, evenly lit with no shadows
Flash

Details

Shoot a close up of any small detail you care about, like stitching or a logo. A flat lay works great for close ups.

Close up of the jacket's waistband, laid flat
Waistband
Close up of the word stitched on the back of the collar, laid flat
Collar

The waistband has three rows of stitching. Without the close up, it came back with two:

The waistband from Agent without a close up photo, with two rows of stitching

With the close up, it got all three:

The waistband from Agent with a close up photo, with all three rows of stitching

Putting it together

Attach the model image with your product photos and close ups.

The model image: a man in a white T-shirt and black trousers
Model
The jacket worn by a person, front
Front
The jacket worn by a person, side
Side
The jacket worn by a person, back, with the collar up so the word on it shows
Back
Close up of the waistband
Waistband
Close up of the word on the back of the collar
Collar

New conversation

Put this jacket on him. Create three separate images: a front, a side and a back view.

Front view from Agent: the model wearing the track jacket
Front
Side view from Agent: the model in the jacket, with the sleeve stripes
Side
Back view from Agent: the model in the jacket, with the word on the back of the collar
Back

All three views keep the stripes, the colors, and the logo. Even the word on the back of the collar is there.

Ask for three separate images to get each view as its own picture.

What to remember

  • Views: the front and the back at least. A side photo is a bonus.
  • Fit: on a person is best, then a mannequin, then a flat lay.
  • Light: neutral light or your phone's flash pointed straight at the piece.
  • Details: close ups of anything small you care about.

Keep going

On this page